Mario Testino is one of Britain's most elaborate photographers who has taken many photographs in a range of different styles. Unlike other photographers, Testino's work touches on many different formal elements and his work is fun and contemporary. However, one of the things that strikes Testino for me is how his work also grasps a formal aspect. He has taken work for the Royal Family which show class while also magazine shoots that are different and the different compositions are outstanding. His style of work is portraits of some of the worlds most famous faces. I also chose Mario as one of my main photographers as he highlights beauty and other topics for his shoots. They all express meaning and context. Below are 4 photographs that display the work of Testino.
Bio:
Nationality: PeruOne of fashion's most sought-after snappers, Mario Testino was born in 1954 in Lima, Peru. He came to London in 1976, took a flat in an abandoned hospital near Trafalgar Square, and began selling portfolios (for £25, including hair and make-up) to wannabe models. Today he is best known for his highly polished, exotically bright ad campaigns and his exquisitely styled photographs of the couture scene all of which carry a deceptive air of nonchalance. Now at the top of his profession, Testino has shot Madonna for Versace as well as photographing the late Diana, Princess of Wales for her famous Vanity Fair cover in 1997. His popularity with designers and fashion editors stems as much from his professionalism and good nature as his unerring ability to take beautiful pictures which sell clothes.
Influence and Summaries
Mario Testino is known for taking some of the most iconic portrait photographs around. One thing that differs him from other photographers is how he can differ the style of photography to the environment and create context in a stunning way. He was once described as being "the world's most prolific magazine and fashion trade photographer", which for me highlights his style of photography in a great way. I would also focus on Mario should I go back and take more portraiture shots especially in the studio and would look at him for inspiration.
The style of photography that Mario Testino takes is extremely influential to me through his approach to taking different types of portrait images. His work creates context in an intriguing way through close up shots to show emotion and all he focuses on is the subject of the image. He also uses a range of different formal elements in his images through portraits. While he takes simple black and white images to show emotion and his use of tones in the image highlight personal points in the image. He also contrasts his work by taking colour images where they burst and illuminate the screen. He has influenced me when I was taking work in the portraiture section, through his use of different compositions and the angle in which he positions his models. In the image above, I edited this image of form to the style of Testino after I saw his work. He inspired me to highlight the smoothness of skin, while also using shadows to an advantage.
Overall, Mario Testino's work is still one of my favourites from the research log. As I have looked into them into them, the more I see of his work, aspires me to use the portraiture topic and adapt it to include a range of different formal elements. Like colour, form and tone which he did in the images above. Although all of his images are portraits, they are all different and interest me in different ways.
The style of photography that Mario Testino takes is extremely influential to me through his approach to taking different types of portrait images. His work creates context in an intriguing way through close up shots to show emotion and all he focuses on is the subject of the image. He also uses a range of different formal elements in his images through portraits. While he takes simple black and white images to show emotion and his use of tones in the image highlight personal points in the image. He also contrasts his work by taking colour images where they burst and illuminate the screen. He has influenced me when I was taking work in the portraiture section, through his use of different compositions and the angle in which he positions his models. In the image above, I edited this image of form to the style of Testino after I saw his work. He inspired me to highlight the smoothness of skin, while also using shadows to an advantage.
Overall, Mario Testino's work is still one of my favourites from the research log. As I have looked into them into them, the more I see of his work, aspires me to use the portraiture topic and adapt it to include a range of different formal elements. Like colour, form and tone which he did in the images above. Although all of his images are portraits, they are all different and interest me in different ways.





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